A poet might normally take a minute or so to read a poem, so most of my pieces based on spoken poetry have been, for me at least, uncharacteristically short. "Canvas Null" was my first attempt to produce something longer based on the spoken word. Two composers, Pete Stollery and Ross Whyte, had both recommended to me a piece of software that is able to stretch sounds to great length without lowering the pitch, and I tried using this to stretch a recording of Catriona Yule reading her poem "Behind the Canvas". In the original recording she took a little over a minute to read the text – in my version it is stretched to about 15 minutes. I was fascinated by the way the slowing down reveals the melodic content of the speech patterns, and also by the way the natural pauses at the ends of lines became huge dramatic silences. I let the rhythm of the poem dictate the pacing of my piece, and decided to add some slowly shifting keyboard harmonies to support the melody of the voice and to fill those dramatic pauses.
As I worked on this piece I became aware of many layers of influence, and I like to think they can all perhaps be detected in some small part in the end result. Catriona's poem was a response to a poem by Paulina Vanderbilt, itself in response to a Pablo Picasso painting called "Woman Ironing". Picasso in turn was responding to paintings of women ironing by Edgar Dégas. Apparently, X-rays reveal that Picasso painted his woman over the top of a portrait of an unknown man. My keyboard harmonies are based on music I wrote to accompany Hans Arp's poem "Opus Null" in "Warten auf Goethe", a University of Aberdeen German Drama Society production celebrating German poetry, staged to mark the Goethe anniversary in 1999. I took one word of my title from Catriona and one from Hans Arp.
In this piece I think I hear the spirit of all these women, freed – for 15 minutes, at least – from the drudgery of their ironing.
lyrics
Behind the Canvas
These grey angular lines,
elbow chiselled to the core.
Who looks after these
calloused hands,
anoints the cracks?
Watch her face darken
as she strains across my gaze.
Each crease is hers to bare.
And on she grafts,
each breath of the iron
bearing her down
with the weight of
centuries on her back.
Is it the fate of woman
to never become woman?
Watch as the light flickers
on and off in those grey eyes;
how she steels herself in
the late hours, her dignity
tight in her fist.
And if a splash of water
should moisten her cheek,
roll beneath her chin,
to cling there
like an undiscovered pearl,
Composer, improviser and sound artist based in Aberdeenshire and inspired by the landscapes of the North of Scotland. Solo
performances often combine poetry with live music. Has worked on many collaborations with writers, dancers, actors, musicians and visual artists....more
These gracious, spellbinding pieces from composer and sound artist antxnio graz reflect on the ideas of rest and community care. Bandcamp New & Notable Nov 29, 2022
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020
The aptly named “Ambient Echoes” features electroacoustic songs that gradually build from steady drones to breathtaking melodies. Bandcamp New & Notable Feb 4, 2023
Tehran-based sound artist Tegh (aka Shahin Entezami) and violinist Adel Poursamadi offer stirring, unsettling take on ambient. Bandcamp Album of the Day Jul 18, 2022
Multimedia artist Jolanda Moletta creates a gorgeous ambient tribute to her female ancestors solely from her own vocals. Bandcamp New & Notable Jul 12, 2022